New Pevensie Clip On Disney.com
In a new spot on Disney.com, Andrew Adamson, William Moseley, and several other talk about the journey that the Pevensies take in the film. There are several shots we haven’t yet seen in this clip.
Thanks to Narnia Lover for the heads up!
LION STATUE OUTSIDE OF THE STATION FADES TO BLACK.
Adamson Voice Over: I think you know that with any film that I’ve made I want to offer the audience a new experience.
OVERHEAD VIEW OF MIRAZ’S CASTLE AT NIGHT. PEVENSIES AT THE TRAIN STATION. THE PEVENSIES EXIT THE CAVE TOWARDS THE BEACH. ADAMSON TALKING.
Adamson: And this film is such a different film from the last one.
LUCY WALKS THROUGH THE FOREST. PETER AND EDMUND EXIT THE HOW TOWARDS THE AREA SET UP FOR DUELING.
Berger: Andrew was very faithful to the source material but was able to create this epic movie.
PETER PUSHES THE STONE HIDING THE DOOR TO THE TREASURE CHAMBER BACK. HOWARD BERGER TALKING.
Adamson: We’re taking the Pevensies on a bigger, darker, more adult journey.
LUCY LOOKING DOWN INTO THE TREASURE CHAMBER. PETER AND SUSAN LOOKING DOWN INTO THE GORGE. EDMUND ON THE BEACH.
Edmund: Where do you suppose we are?
OVERHEAD SHOT OF THE PEVENSIES STANDING ON THE DAIS. CLOSE UP OF PETER’S FACE.
Peter: Cair Paravel.
SHOT OF THE PEVENSIES ON THE DAIS. WILLIAM MOSELEY TALKING.
Moseley: Actually, it’s even more difficult than the last time because we’re fighting an emotional battle as well as a physical battle.
NIGHT RAID SHOT OF PETER WITH GRYPHONS LANDING BEHIND HIM. PETER IN FRONT OF A ROCK WALL. CAMERA PANS AROUND AND SHOWS LUCY, SUSAN, AND TRUMPKIN.
Trumpkin: Unless I’m mistaken, there’s no crossing in these parts.
CAMERA SWITCHES BACK TO PETER.
Peter: That explains it then. You’re mistaken.
SHOT OVER THE SHOULDERS OF PETER, EDMUND, AND CASPIAN OF THE BATTLEFIELD. PETER AND THE OTHERS WALKING THROUGH THE FOREST. PETER SITTING IN FRONT OF THE STONE TABLE LOOKING THOUGHTFUL. PETER LOOKING AT THE STATUE IN THE TREASURE CHAMBER. MOSELEY TALKING.
Moseley: Peter isn’t connecting with everybody else. He sees just himself having to take on this challenge and he doesn’t really accept Caspian.
PETER AND CASPIAN IN THE INNER CHAMBER OF ASLAN’S HOW. BEN BARNES TALKING.
Barnes: Peter, as the high king, rightfully assumes that he is in charge.
OVERHEAD SHOT OF PETER ADDRESSING A GROUP OF OLD NARNIANS. CLOSE UP OF PETER.
Peter: Our only hope is to strike them before they strike us.
CLOSEUP OF GLENSTORM. CLOSE UP OF PETER. CLOSE UP OF PETER AS CASPIAN WALKS AWAY. CLOSE UP OF PETER LOOKING DETERMINED. FRONT SHOT OF PETER AND EDMUND EXITING THE HOW.
Moseley: Peter has to almost reinstate himself on an emotional level, on a physical level and for the Narnians he almost has to prove who he is.
PETER AND CASPIAN IN THE FOREST. PETER ADDRESSES SOMEONE OUT OF FRAME.
Peter: At least we know some of you can handle a blade because we’re going to need ever sword we can get.
SHOT OF GLENSTORM. PETER FACING CASPIAN. TRANSITION TO SUSAN AND A GROUP OF ARCHERS PREPARING TO FIRE.
Susan: Take your aim!
ADAMSON TALKING. SHOTS OF SUSAN USING HER ARROWS.
Adamson: Anna gets to be part of the battle and we really get to see her fighting.
SHOT OF SUSAN SHOOTING AN ARROW WHILE BEING HELD IN A GRYPHON’S CLAWS. SUSAN AIMING A SHOT. ANNA POPPLEWELL TALKING.
Popplewell: Allowing herself to adopt that more kind of warrior status is actually her getting more comfortable with herself and growing up a lot.
EDMUND AND TRUMPKIN CROSS SWORDS ON THE BEACH. CLOSE UP OF THEIR FACES AS EDMUND DEFEATS TRUMPKIN. ADAMSON TALKING.
Adamson: Skandar has grown in general. He really has gone from being a boy to a young man and because of that I wanted his character to grow.
EDMUND LEADS THE OTHERS INTO THE TREASURE CHAMBER WITH HIS TORCH. CLOSE UP OF EDMUND. EDMUND ROLLS UP THE CHALLENGE IN A TELMARINE TENT.
Edmund: It’s King Edmund actually.
SKANDAR KEYNES TALKING. CLOSE UP OF EDMUND AND PETER’S FACES AS THEY EXIT THE HOW.
Keynes: He’s got this thing where he’s always looking out for Peter. He’s always helping him and he’s never getting the credit that he deserves.
CASPIAN AND PETER LOOKING AT EDMUND IN THE HOW. SHOT OF EDMUND.
Edmund: I know. We had it sorted.
TRANSITIONS TO AN OVERHEAD SHOT OF THE FOREST. SHOT OF TRUMPKIN AND THE OTHERS IN THE BOAT. CLOSE UP OF LUCY LAYING ON HER BACK LOOKING UPWARDS. LUCY CLIMBS OVER A RIDGE OF LAND AND SEES ASLAN.
Adamson: There’s still a story around Lucy. The relationship between Lucy and Aslan I think is as important in this film as it was in the last film.
CLOSE UP OF LUCY LOOKING AT ASLAN. WIDESHOT OF ASLAN LYING ON THE GROUND LOOKING AT LUCY. LUCY TALKING TO PETER.
Lucy: I think I know Aslan when I see him.
SHOT OF EDMUND AND TRUMPKIN. GEORGIE HENLEY TALKING.
Georgie: Lucy feels like she’s being made the youngest one again.
PETER TALKING TO LUCY WHO IS SITTING ON THE STONE TABLE.
Peter: Sure you’ve really been listening Lu?
Lucy: No, you’re the one who’s not listening.
Georgie: But now she’s standing for what she believes in.
CLOSE UP OF LUCY.
Lucy: Or have you forgotten who really defeated the White Witch, Peter?
CLOSE UP OF PETER. NIGHT SHOT MONTAGE. CLOSE UP OF SUSAN. CLOSE UP OF PETER. CLOSE UP OF LUCY.
Adamson: The kids have all grown up. You know the Pevensies have grown up and this movie allows them to grow up.
OLD NARNIANS CHARGING OUT OF THE HOW. SHOT OF THE PEVENSIES, CASPIAN, AND DR. CORNELIUS. OVERHEAD SHOT OF THE PEVENSIES OPENING THEIR TRUNKS IN THE TREASURE CHAMBER. WIDESHOT OF THE PEVENSIES IN ASLAN’S HOW. LUCY RUNS TO ASLAN.
Adamson: And what I found is that the emotional heart of the story is the sense of going back or trying to go back to a place that is no longer there.
MEDIUM SHOT OF THE PEVENSIES IN ASLAN’S HOW. FADES TO BLACK.
Aslan Voice Over: All that you know is about to change.
SHOT OF ASLAN ROARING. LOGO FLASHES ON SCREEN.
May 16th. Narnia.com